For the exhibition Fragment From a Dance Floor - Silent Choreography at the Barvinskyi Gallery, Alina Grabovsky presents a series of works that vary in form and content yet are unified by a distinctive thread running through her entire oeuvre. These paintings capture moments of transition, unstable states, and precarious identities, inviting the viewer into a process of contemplation and interpretation.

The boundary between abstraction and figuration is intentionally elusive. Time and again, one might glimpse the suggestion of a body, a fragment of interaction, or a fleeting pose—but the figures remain deliberately vague, their presence hinted at rather than defined. This ambiguity extends to the spatial compositions, where multiple, often conflicting, spatial concepts coexist within a single canvas.

These works resist straightforward interpretation, instead offering an open-ended experience that encourages personal and imaginative (re)interpretations. By balancing what is visible and what is concealed, Grabovsky creates a dynamic tension that leaves a lasting impression of mystery and possibility.

Reflective, screen-like surfaces are hollowed out by deep, fleshy indentations reminiscent of anatomical structures. The interweaving of synthetic and organic materials, like the title of the work series Silicon, refers to the connection between human and machine. The works address the function of humans in a consumer and performance-orientated society of the 21st century on a sociological level. The exhibition Remote shows works from different series from the last two years, which are connected but assert themselves as autonomous positions.