In this exhibition, Joseph Sakoilsky presents a series of paintings that not only question the line between sculpture and painting but also the return to the origins of actionistic Painting itself. The artist recreates paintings born from an actionistic duktus. Similar to blood spatter analysis at a crime scene, via the use of string the artist analyzes his unconscious movements and the resulting paint splatters. Through this process, Sakoilsky elevates self-analysis to a pictorial level without separating it from the artwork itself.