Once, all lands were one.

Taking its title from Ryts Monet’s large-scale drawing Pangea, this exhibition gathers eight artists from across the world to reflect on connection, distance, and the fragile surfaces that bind us.

Ryts Monet’s reimagined supercontinent merges geological and political time, offering a vision of unity constantly undone by movement. Kosta Tonev’s This Land plays with the shifting meanings of belonging; Enar de Dios Rodríguez reveals the global routes of sand in her Greetings from… postcards, where idyllic beaches conceal networks of extraction.

In Jasmina Cibic’s Cartographies of Grief, tears donated by UN human rights advocates become microscopic worlds cast on brass—turning emotion into a planetary landscape of care—while Pablo Chiereghin’s A trip between two imaginary points installs a road sign along the Romea highway between Venezia and Ravenna, pointing toward fictional destinations that transform geography into imagination and travel into reflection.

Coco Fusco’s The Empty Plaza turns absence into a monument of memory. Javier Carro Temboury’s Intercontainers reassemble fragmented ceramics into new narratives, and Farniyaz Zaker’s Surface Depth and Surface Tension explore the delicate boundaries between visibility and concealment.

Together, these works propose Pangea not as a lost continent, but as a poetic metaphor — a shared surface where materials, emotions, and histories meet and momentarily touch.