Eloise Ettore
Duality
UPCOMING EXHIBITIONS
13 Sep - 10 Oct 2024
Project space
Tyrone Egbowon
I think, I spider
In this exhibition, Tyrone Egbowon explores the seven deadly sins through a dual perspective that reflects both the social and personal dimensions of human nature. This behavioral observation examines how internal attitudes influence outward behavior and shape the social fabric, as well as how an inward gaze highlights sins characterized by personal indulgence and physical desire, such as gluttony, lust, and sloth. Egbowon’s choice of abstracted symbols play a crucial role in guiding the viewer’s perspective, subtly influencing how one perceives and engages with these complex themes. His artworks address the challenges of self-discipline and the inner balance disrupted by the constant dance between sin and virtue.
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5 Sep - 10 Oct 2024
Gallery space
Gregor Kuntscher
TELL ME A TALE
Gregor Kuntscher’s photographs take us on a journey to discover the unique stories of places and faces from Bolivia, India, Mozambique, Burkina Faso, Ethiopia and Uganda.
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1 Aug - 1 Sep 2024
Project space
Joseph Sakoilsky
Paint spater analysis
In this exhibition, Joseph Sakoilsky presents a series of paintings that not only question the line between sculpture and painting but also the return to the origins of actionistic Painting itself. The artist recreates paintings born from an actionistic duktus. Similar to blood spatter analysis at a crime scene, via the use of string the artist analyzes his unconscious movements and the resulting paint splatters. Through this process, Sakoilsky elevates self-analysis to a pictorial level without separating it from the artwork itself.
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1 Aug - 1 Sep 2024
Gallery space
Kata Oelschlägel
A Gentle Cut
Working in the realm of Viennese Actionism, Kata Oelschlägel’s artistic practice evolves around the exploration of the body’s materiality and the canvas’ physicality, in search of the beauty within pain. "Kata Oelschlägel: A Gentle Cut," delves into Oelschlägel's reflection on vulnerability and mortality through the examination of the human body, its organs and physical processes. Using her own body as a starting point, her delicate multi-media works question traditional actionistic tools such as blood and self-inflicted cutting and materialize bodily sensations. By transforming practices associated with pain into aesthetic experiences, she challenges prevailing concepts about the human body and creates conciliatory gestures that replace shock with ambiguity.
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